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(This is me comparing and contrasting two of my OTPs. You have been warned.)

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Let's talk about two ships I love: Phèdre nó Delaunay/Melisande Shahrizai (Kushiel's Legacy), and Eve Polastri/Villanelle (Killing Eve). Not only are these both phenomenal hero-villain ships in their own right, but they embody several core tenants of hero-villain, making them excellent case studies for hero/villain ships across the board.

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Why do we believe in our ships so fervently? Why is "belief" such a fitting word to describe this? And for that matter, why is shipping—centered almost exclusively on romantic relationships—such a phenomenon, in a way that nothing else quite is?

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Come with me—let's go down to the harbor. Let's walk among the ships; I will show you my armada. They are glorious ships, and I love them fiercely.

You may notice that a disproportionately high number of them are siblings. What's up with that?

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Azdaema writing essays

(aka "I've been thinking about a thing. Here's the culmination of my thoughts about it.")

September 2022

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